framework began broadcasting in june, 2002 on the newly reformed resonance 104.4fm in london. the show now airs on twelve radio stations around the world, with regular new additions to its broadcast family, and streams and podcasts here on its own website. framework is consecrated to field recording and its use in composition, and began broadcasting at a time when a new community of sound artists with a special interest in found sound was developing, a community spread across the globe that, thanks to the internet, was no longer limited to a specific geography. framework sees itself as an outlet for this ever-growing and developing community, a folk-tool in a new folk movement, a community driven exchange point for creators and listeners alike. framework‘s goal is to present not only the extremely diverse sound environments of our world, but also the extremely diverse work that is being produced by the artists who choose to use these environments as their sonic sources. we hope to ask this question: is ‘field recording’ a style, or a genre, or is it in fact as uncontrollable and undefinable an instrument or tool as any, that may be interpreted, manipulated, and appropriated by anyone with a microphone and an idea? these works are its definition, and not vice versa.
framework broadcasts two distinct alternating formats, a regular edition, constructed and mixed by its presenter from contributions submitted by listeners and members of the field recording community, and framework:afield, a guest-curated series produced by artists from all corners of the globe and based on their own themes, concepts or recordings. we see radio and the ability to broadcast as an important tool for any self-sustaining community, a way for it to communicate with its own members and with the world at large, a simultaneous staking of territory and invitation in. to quote the text that opens every edition of framework, open your ears and listen!
framework is produced and hosted by patrick mcginley. patrick (aka murmer) is an american-born sound, performance, and radio artist who has been based in europe since 1996. murmer’s work is about small discoveries and concentrated attention; it focuses on the framing of the sounds around us which normally pass through our ears unnoticed and unremarked, but which out of context become unrecognisable, alien and extraordinary: crackling charcoal, a squeaking escalator, a buzzing insect, or one’s own breath. he works equally with spaces, objects, resonances, and people, in composition, performance, or simply collective action and experience, in exploration of perception via attentive listening. for more information on his other activities visit his website here.