#771: 2021.10.03 [joão castro pinto]

patrick 2021, framework:afield

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this edition of framework:afield has been produced in portugal by joão castro pinto. producer’s notes:

This radio show is divided in 3 sections, the first dedicated to phonographic and environmental composers, the second to the electroacoustic music composers and the last to experimental composers / performers “freely” working with field recordings. The main purpose of this program is to present an itinerary of different possibilities of composing with field recordings, from the more mimetic to the more abstract points of view, ideally demonstrating that there are distinct approaches to soundscape composition and that the World Soundscape Project is just one of multiple ways to understand and artistically figuring the soundscape. […

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#769: 2021.09.19 [CENSE]

patrick 2021, framework:afield

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The recordings from this mix were made by CENSE members during the annual Reveil radio event, a 24-hour continuous live broadcasting which took place on May 3, 2021. You will hear dawn choruses from Romania, Croatia, Hungary, Slovakia, Czech Republic, Austria, Germany, Ireland, and Estonia. Mix by Anamaria Pravicencu and Tomáš Šenkyřík.

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#767: 2021.07.25 [blanc sceol]

patrick 2021, framework:afield

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this week’s edition of framework:afield, entitled listening with the blackwater estuary, was produced in the united kingdom by blanc sceol (stephen shiell & hannah white). for more information see https://blancsceol.co.uk. producer’s notes:

This piece visits the Blackwater Estuary from both sides, at Tollesbury and Bradwell-on-sea. Working with a variety of microphones, these layered field recordings and voice seek to contribute to the acoustic commons and bring listeners to an area of natural heritage currently threatened by the proposed Bradwell B nuclear power station, 15 years after the old station was officially defueled. A journey from newness to becoming, a resting and a migration, and a sense of urgency in the face of this new threat to the area. […]

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#765: 2021.07.11 [uni.Sol_]

patrick 2021, framework:afield

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this edition of framework:afield has been produced by uni.Sol_, curated by slavek kwi, and features contributions from david rothenberg, stephen bradley, david michael, and wilbur bewley. producer’s, and cicada’s notes:

cicadian:
phaaaroahs phaaaaaaaaaaaarohhhh phaaaaaaaarraoooooooh tshtke-EHHHHHHH-ou chh chh chh chh chh chh chh chh chh chh chh chh mch mch mCH mCH mCH Ch ch ch ch ch swiiiiiiiiiiishhhh swiiiiiiiiiiishhhh swiiiiiiiiiiishhhh crzzzzzzzzzzzzzzzzzzzhh chrzzzzzzzzzzaahhh tshtke-EHHHHHHH-ou tshtke-EHHHHHHH- ou mch mch mCH mCH mCH Ch ch ch ch ch swiiiiiiiiiiishhhh

translation:
Magicicada septendecim, M. cassini, M. septendecula featuring Homo sapiens sonoris:

David Rothenberg, Stephen Bradley, David Michael, Wilbur Bewley (USA), Slavek Kwi & teenage students* from Scariff Community College in Ireland and uni.Sol_community worldwide. […]

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#761: 2021.06.13 [sebastiane hegarty]

patrick 2021, framework:afield

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three horizons
Sebastiane Hegarty

In 1901, Marconi sent a wireless signal from Knowles Farm on the Isle of Wight to the newly built Lizard Wireless Telegraphy Station, in Cornwall. Not only was this the furthest a wireless signal had travelled at that time, it was also the first ‘over-the horizon’ transmission. Prior to this, it was believed that ‘the operating range of wireless would be restricted to the [optical] horizon.’ But on the 23rd of January 1901, in what became known as ‘Marconi’s first great miracle’ the arrival of a brief dit-dit-dit at The Lizard Wireless Station, signalled not only the letter ‘s’, but also an escape from the visible and concrete, a flight from the material into the airy immaterial and unknown. […]

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#759: 2021.05.30 [mark vernon]

patrick 2021, framework:afield

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this edition has been produced by regular contributor mark vernon. producer’s notes:

Mark Vernon – Ribbons of Rust
Audio Archaeology Series Volume 2: Laem Thian

Ribbons of Rust continues a series of works exploring concepts around audio archaeology and found sound that began with the ‘Lend an ear, leave a word’ LP – Volume 1 in the Audio Archaeology series – released on Kye records in 2016. It is an irreverent, non-purist approach to field recording that puts found sound recordings of voices and music from the past on an equal footing with contemporary field recordings of a particular location. […]

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#757: 2021.05.16 [slavek kwi]

patrick 2021, framework:afield

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this week’s edition of framework:afield has been produced in ireland by slavek kwi, aka artificial memory trace. producer’s notes:

author: alfa00_2404_1
title: dUsk consEnsus III. (segment 1)

Abstract Audio Article in “kwatarese”** recorded “live” 24th April 202(1) during dusk starting at 7 PM, time-zone Ireland, eastern Clare by Slavek Kwi, correspondent for alfa_AAzine.
https://alfa00.bandcamp.com

** abstract multi-dimensional meta-language resemblant to human concept of “music” using the surrounding audio-environment as interface (WSi = weather sensitive installation) of connection in between transmitting and intercepting parties simultaneously “Kwatarese” is more focused on sharing the experience rather than information, looking for creating irrational sense of balance and resonance in between participating elements.

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#755: 2021.05.02 [keith de mendonca]

patrick 2021, framework:afield

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this edition of framework:afield, entitled london punch, has been produced in the uk by regular contribution keith de mendonca. producer’s notes:

“Punch & Judy” is a traditional English puppet show that celebrates its birth date on May 9 1662, when Samuel Pepys noted in his diary watching puppets perform in Covent garden.

Over time, Punch & Judy incorporated many famous living characters into the plot – people who lived and died within my local area in London: Samuel Pepys, Joseph Grimaldi the clown, and Jack Ketch the executioner.

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#753: 2021.04.18 [aural tectonics]

patrick 2021, framework:afield

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The following audio sequence by Mehrnaz, Farah, Richard, Ján, Marco, David, Ghaith and Hilde was realized during Raviv Ganchrow’s Aural Tectonics workshop at the Institute of Sonology, The Hague, in the spring of 2021. Aural Tectonics explores the site-specificity and context-dependency of in-situ sound by fostering a critical awareness of, and attitudes towards, environmental ambiance. Founded in a practice-based approach, the workshop develops situated strategies for listening, recording, sound montage and mapping as well as experimental approaches to situated sound synthesis and site-specific sound intervention. Each year, a particular site is chosen around which a sequence of intensive projects are developed, fostering diverse approaches to ‘hearing place’ and encouraging individual approaches towards hearing contextual ambiance and the spatial agency of situated sounds.

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#751: 2021.04.04 [shawn pinchbeck]

patrick 2021, framework:afield

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this edition, entitled peace of home, has been produced in canada by shawn pinchbeck. for more information see http://www.spinchbeck.com/, or https://shawnpinchbeck.bandcamp.com/. producer’s notes:

At the beginning of the global pandemic in May 2020, I was living in the North Western Peace Region of Alberta, Canada in the city of Grande Prairie.

Looking for something socially distant and outdoors to do, I started driving into the countryside and recording the soundscapes I found there with a Sennheiser Ambeo VR Microphone and Zoom F4 recorder. At first, I didn’t have a project in mind. I was just enjoying exploring the different places I found and the recordings I was making. Then, an idea for a soundscape piece documenting places in the four directions away from the city took hold. […]

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#749: 2021.03.21 [willem sannen]

patrick 2021, framework:afield, tributes

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this edition of framework:afield, entitled mixtape #1, has been produced in belgium by willem sannen. for more information see https://soundcloud.com/willemsannen. producer’s notes:

Over the years some field recordings or sound works stayed with me. I tend to replay them which I normally don’t do. I usually listen to an album or a recording once, in full concentration and don’t come back to it. I have the same thing with movies: I don’t see a movie twice. Even the ones I really adore. It has nothing to do with adoration, but everything with not spoiling that first experience. However some field recordings I do revisit and Mixtape #1 is a selection of some of those.

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#747: 2021.03.07 [IWD]

patrick 2021, framework:afield, international women's day

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this is an all-woman iwd show with an intentionally global focus.

the concept, mixing and mastering of this show were shared by long-term framework radio contributors, jilliene sellner, and felicity (felix) ford, both currently based in the uk. stitched together from their respective collections of soundart, field recordings and phonography by women from around the world, this mix explores how womanhood intersects with other identities such as race, ethnicity and disability in womens’ creative sonic praxis. a range of different concerns are reflected, from preoccupation with climate-change, to the importance of decolonising listening space.

most of the artists featured here also have a presence on bandcamp, where you can directly support them. each artist featured is making vital contributions to the fields of soundart, phonography and field-recording and we highly recommend that you check out their work via the links below.

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