#701: 2020.02.16 [d.l. lutz]

this edition of framework:afield has been produced in germany by architect, writer, sound artist and regular contributor d.l. lutz: “This is heavy weather! You better wear your best outdoor gear – warm and windproof… All these recordings are about storms – and to capture the energy of air proves to be a difficult task, but there are great recordings, some of which I want to present to you. So I invite you to listen to window joints under air pressure, to staircases, creaking trees in forests, creaking sailing ships, to the howling songs in building scaffoldings, to flagpoles, lonely animals on unprotected meadows, slamming doors and the rude open sea… And I invite you to get lost in bad weather, while you comfortably sit in your armchair with a pot of hot tea.”

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#697: 2020.01.19 [jilliene sellner]

this edition of framework:afield, entitled women in the field, has been produced in the uk by jilliene sellner. producer’s notes: “Women in the Field is a brief exploration of the experience of females who practice field recording. I’m certain there is much more to be said on the subject particularly from those outside of Europe and North America, who do not identify as cis and/or identify as a person of colour and so on than the contents of this episode. This is just a starting point. I am extremely grateful for the contributions from the artists.” […]

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#695: 2019.11.17 [claude schryer]

this is the final instalment of the simplesoundscapes framework radio afield trilogy, produced in canada by claude schryer, and entitled simplesoundscapes afield 3: soundwalks. for more info visit http://simplesoundscapes.ca. […]

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#691: 2019.10.20 [william denton]

this edition of framework:afield is the first of a two-part piece recorded in france and produced in canada by william denton. part two will premier on november 3rd as framework #693. producer’s notes: “/France Audio Montage/ is a two-hour audio memoir of a trip to France in July 2019: first in Toulouse for the useR! 2019 conference and then in Paris for a week.” […]

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#684: 2019.07.21 [john wanzel]

this edition of framework:afield has been produced in the united states by john wanzel. ‘in motion’, is a new sound collage made specifically for framework:afield that featuring field and foley recordings, voice, computer-based polyphonic synthesization, and digital audio manipulation. The broadcast re-mixes segments from the Blind Spot radio program with sonic material from the stopGOstop podcast, recontextualizing and filtering the audio to emphasize and articulate the cause and effect of motion.

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#682: 2019.07.07 [aural tectonics]

The following broadcast contains a sequence of binaural ambiences culled from The Hague’s urban environment. The piece forms an interlinked trajectory from The Hague Central Station to the Scheveningen coast, creating a meandering aural section through the cities urban ambiences. Each zone along the trajectory is explored by an individual recordist reacting upon the inherent qualities of their site. The resulting work reveals not only a range of atmospheres but also a polyphony of auditory approaches to urban sounding. […]

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#678: 2019.06.09 [terje paulsen]

this edition of framework:afield has been produced in kristiansand, norway by terje paulsen. it is made up of two parts: a new piece, enitled mai 2019, created specially for this edition of framework, and the recent release on infrequency editions by terje paulsen and lance autin olsen, terraforming. […]

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#674: 2019.05.12 [iris garrelfs]

this edition of framework:afield has been curated by iris garrelfs, and features extracts from field recording based compositions created by her phonography students at goldsmiths, university of london. each extract encapsulates the student’s individual approach to exploring some of issues encountered within field recording and soundscape composition practices. […]

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