#679: 2019.06.16

lots of cassette releases in this show, along with one cd and one digital self-release, and i think everything here (aside from the soundmap uploads, which of course can all be found at http://aporee.org/maps) is available on bandcamp – just follow the links in the playlist. […]

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#678: 2019.06.09 [terje paulsen]

this edition of framework:afield has been produced in kristiansand, norway by terje paulsen. it is made up of two parts: a new piece, enitled mai 2019, created specially for this edition of framework, and the recent release on infrequency editions by terje paulsen and lance autin olsen, terraforming. […]

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#677: 2019.06.02

feels like a long playlist this week, as we listened back to some of the tracks from that framework:seasonal back-issue, along with great new releases from annie mahtani and jay-dea lopez, a few more tracks from the 13 soundscapes compilation we started listening to last regular edition, some recent sounds from peter wullen’s soundcloud page, and new uploads to the aporee soundmaps. […]

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#675: 2019.05.19

great sounds this week as we began very slowly to dive into the pile of physical submissions that have arrived since our paternity break. we started with the sounds against humanity release by chelidon frame, pairing it with lovely field recording and synthesizer works by our neighbor from finland, marja ahti, and abstracted minimal drones by france jobin. we also heard a composition from emmanuel mieville constructed in part with recordings he made in a small river near my old home in normandy when he visited me there years ago (so i couldn’t not play that!), and we heard a few tracks from the eminently appropriate for our airwaves ’13 soundscapes’ compilation on the biodiversità label (we’ll listen to more of them over the next several shows). also, as always, our aporee soundmaps segment, with recent listener-chosen favorite contributions. and we began with a framework introduction also recorded for us in canada by france jobin. […]

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#674: 2019.05.12 [iris garrelfs]

this edition of framework:afield has been curated by iris garrelfs, and features extracts from field recording based compositions created by her phonography students at goldsmiths, university of london. each extract encapsulates the student’s individual approach to exploring some of issues encountered within field recording and soundscape composition practices. […]

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#673: 2019.05.05

greetings folks, we are back! framework has been away on paternity leave since mid-february, but we are very happy to be back in the studio producing new shows for you, and we hope your ears are happy too. we’ve got lots of catching up to do, and lots to tell you about, but first […]

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#672: 2019.02.17 [claude schryer]

this edition of framework:afield has been produced in canada by claude schryer, and is entitled pushing. hearing. outwards. for more information see http://simplesoundscapes.ca. the piece ss comprised of 11 sets of 2 overlapping field recordings from the http://simplesoundscapes.ca collection, each separated by about 15 seconds of silence. […]

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#671: 2019.02.10

we had a sort-of accidental antipodean focus in this week’s show, as we featured two physical releases that have recently arrived at frameworkHQ, namely new works by both tarab and richard francis, and also finally took a listen to kate carr’s 2018 release on jason lescalleet’s glistening examples label. also another release by geneva skeen and a first on our airwaves by the duo merzouga, although we see they’ve been active since 2003. we also heard another selection of listener chosen favorites from the aporee soundmaps, and began everything with a framework introduction recorded in the azores. […]

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#670: 2019.02.03 [jilliene sellner]

this edition has been produced in the uk by jilliene sellner. producer’s notes: This episode brings together female phonographers born and working outside of Europe and North America. Many of these sound artists are also academics, educators, visual artists and podcasters. Their compositions shaped and molded, sometimes tenderly, here and there justly enraged, represent alternative orientations and perspectives. […]

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