this edition ofÂ framework:afieldÂ has been produced in portland, oregon, usa byÂ tj norris.Â the details:
Curator: TJ Norris
Includes music from:
The works presented are generated from or within a visual/space
context, works that somehow use kinetics, or are related to film/video
work, or have been used in an installation context. The sounds
presented on ‘Continental In(di)visibility’ form a non-linear bond
between international composers working with an a/v context bringing
about a deeper listening and visualization experience for listeners.
“Avec Pas Grang Chose”
Taken from: Erzatz #0 / Tout
Unreleased (inspired by sci-fi sound design)
“Studio Window (edit)”
Unreleased (based on recordings taken outside his studio window)
Pe Lang + Zimoun
“Untitled Sound Objects”
Live Installation Performance Recording
Unreleased and taken from the “Rise” (a film by Ryan Jeffery)
Taken from a performance / installation “ASKAA”
Inspired by China tour using field recordings and Chinese instruments
in digital processing
This installation uses an aleatorik meditative garden on 5 screens
Alexei Borisov & Anton Nikkila
“Lecture on Electronic Music”
This is an excerpt from the audio portion of an “audio-architectural”
installation in collaboration with Yumi Kori (presented 2006 at ISE
Foundation, NYC, and 2007 at Japan Society, NYC).
“Provody – to accompany a new terrain”
Completely re-worked excerpt from ‘Provody’ with vocal treatment.
“First Light, Last” (Edit)
Taken from the video installation with Christine Wallers at Portland
Art Center. The sound is all derived from a field recording made on
the beach at Kalaloch, WA as night fell.
“Her Watery Eyes”
Originally for a group sound installation. Remixed and unreleased.
Inspired by a short moment of sound captured while walking past a
water fountain in Auckland.